"Meet the Cast of Les Miserables" Blog Series #5: Eponine
Chelsea Minton, our Éponine
Chelsea last appeared in over 200 performances with the Off Broadway (NYC) and National Tour casts of Girls Night: The Musical (Kate). Prior to that, she graduated from Middlebury College, where she studied history and geography, and did some theater along the way, appearing in her Gypsy (June), Urinetown (Little Sally), and her personal favorite, Lippa's Wild Party (Queenie). Other favorite roles include: Seussical (Gertrude), Les Misérables (Cosette), Kiss me Kate (Lois), and Joseph and the Amazing Technicolor Dreamcoat (Narrator). In "real-life", Chelsea works as a geospatial consultant. With her background in GIS and cartography, she now works with a Google-partner tech startup called IRISMaps, which implements and develops mapping solutions using Google Maps for Business. As soon as there is any (literally, ANY) snow on the ground in New England, there is a very good chance Chelsea will be found high-tailing it from her desk at the office up to Vermont to ski. Until then, she will continue "breaking in her ski boots" in her apartment in Boston (and driving her downstairs neighbors crazy). That's not weird, is it?
What was your first experience with Les Misérables?
Les Misérables was the second cassette tape I ever got (after CATS). My parents may have regretted that present, because I learned all the songs by heart and my little sister and I, at ages 7 and 9, started using "Do You Hear the People Sing" as our go-to harmony performance/ bbq/singing-around-the-house piece. Not quite sure what revolution we were trying to stage at that age, but the love for the music in this show definitely stuck. My sister's favorite part of Les Mis, she will still say, are the trumpets in that song. We are total Les Mis dorks!
What has it been like to prepare for your role?
Éponine is a totally exciting part, so I'm really thrilled to get the chance to sing it. I've done the show before, and actually played Cosette! So, it's been fascinating thinking about music I love so much from a different emotional and vocal perspective. The biggest challenge, in my mind, is that Éponine's music is some of the most well-known (and overdone) music for a female Broadway performer, so I'm really trying to figure out how to make it my own and not just do what everyone has seen a million times before.
What about this production excites you the most?
Getting beaten up by Thénardier! I've played a lot of silly character roles and a lot of sweet ingénue roles, so I've never been in a stage-smack down before! Totally pumped for that.
How has local theatre and performing enriched your life?
Without a doubt, my most life-changing experiences happened to be theatrical, and happened while working on another production of Les Misérables, performing with a "local" theater almost 10 years ago. It was one of those 'stars-aligning' experiences, where we had an unbelievable director and a completely selfless cast, made up of people who are still the most talented folks I know. The emotion we built for those productions was hands-down like I'd ever been a part of before or since. That production taught me how to thrive on the challenges of your directors and your peers onstage and how to take pride in being a small part of a perfectly working team. Most importantly, I learned that working with a truly dedicated amateur group has the potential to be more fulfilling than some professional theater experiences, where the repetition of performances can dampen your passion for the material.